FourbitFriday’s game Catacomb Kids has just under 5 days left for it’s Kickstarter campaign. The game is a platformer roguelike with a heavy emphasis on the roguelike elements when compared to similar games, with random enchantments on equipment, the ability to chop limbs off of your opponents (or have your own cut off), and deep interactions between objects in the game.
Though its reached its goal already, Catacomb Kids is worth checking out if just for the depth shown in the short video above.
Night in the Woods is an upcoming game from Alec Holowka (Aquaria, Towerfall) and animator Scott Benson. From the Kickstarter page:
Lovely audiovisuals and I’m intrigued by the story and characters. Really looking forward to this one!
[This is a guest post by Offal.]
From the early arcade to the Dreamcast era, Sega had a stable of first and second-party developers regularly producing vibrant genre-defining games, inventing and reinventing convention. Today that experimental spirit has largely died off, or been dialed down into tame sequels and re-releases of classic titles.
Amateur developers like the Arcane Kids have stepped in to fill the gap, and now Simon Stalenhag and Tommy Salomonsson (collectively Pixeltruss) have released Ripple Dot Zero, their own game in the free-spirited high flying blue skies style.
Ripple Dot Zero is free to play in browser.
We spoke with Pixeltruss to discuss the history, release, and future of the project. It’s a long one! Interview past the break.
Read the rest of this entry »
[This is a guest post by phubans.]
Here’s a guest review for Mercenary Kings. I even made a video to go with it!
Mercenary Kings is simply amazing. You can always tell when you like a game – you start playing it and spend the next 8~ hours continuing to play it. It’s that good. When I started out, I did the online co-op with a few friends over a Skype call, playing on my TV with a gamepad for the full experience. Co-op was great, but I kept playing for hours after everyone else left, completely immersed in the level of depth the game had to offer.
Let me just say that this game seems to have ticked all the right boxes. It goes without saying that a game featuring the awesome art and animation of Paul Robertson is going to look great, but beyond that it even feels great; the feedback couldn’t be better. The music is also one of the game’s strong points, with driving, energetic tunes that will have you humming along. But as great as it looks, sounds, and plays, I think the most compelling feature of the game is the weapon crafting system.
As you play the game, enemies and chests will drop common, uncommon, and rare materials. Back at base camp you can use these to craft weapons, armor, and accessory upgrades. But it isn’t as simple as upgrading your gun to level 2. Perhaps the greatest aspect of Mercenary Kings is that every part of your gun is customizable – the receiver, the barrel, the stock, the magazine, etc. Using this system you can mix and match to create one of thousands of unique possible combinations.
The game also features a rank system where you’ll rank up by completing various missions, including scenarios like hostage rescue, scavenger hunts for materials, and simply neutralizing or capturing enemies and bosses. Completing some missions will unlock new NPCs to interact with as well new missions, areas, and weapon parts to craft.
If RPG elements aren’t enough to sell a Metal Slug-type game for you, then it’s probably not your cup of tea, but as far as games in this genre go, this one is pretty great and easily one of the best games I’ve played so far in 2013. For fans of the Contra and Metal Slug series who also enjoy high-level weapon customization and RPG elements, this game is most certainly a must buy.
Coinciding with the retail release of the OUYA today is the release of Matt Thorson’s TowerFall, a 4-player versus platformer that is being hailed as the console’s “killer app” on websites like Penny Arcade Report. In the game, each player controls an archer and the goal is to slay your opponents with arrows. Power-ups such as bomb arrows, shields, and wings add variety to the matches, which take place in one of 70 single-screen arenas. The focus is on local multiplayer, but TowerFall does include single-player challenges where you have to destroy dummy targets in a certain amount of time.
Currently, TowerFall is an OUYA exclusive, although Matt has expressed interest in a PC port somewhere down the road. The game’s graphics are by Studio Miniboss (Deep Dungeons of Doom) and the soundtrack is by Alec Holowka (Aquaria).
I have to admit, I’m not the biggest fan of puzzle platformers (or even puzzle games, to be honest), but when they’re good, they’re good. With The Swapper, Finnish studio Facepalm Games has not only uncovered a fun new mechanic but also crafted an extremely intriguing science fiction tale around it. Though the central themes may not be completely original to sci-fi, the way they come into focus as you solve puzzles and explore the beautiful claymation world is deftly executed. This is a great example of how to tell a story with a challenging game.
IGF 2013 Excellence in Design nominee Starseed Pilgrim was released on Steam today (Steam releases were offered to all the nominees this year). This unassuming and enigmatic puzzle platformer has become a hit with a number of indie game developers, including Bennett Foddy (QWOP) and Braid creator Jonathan Blow, who called it his game of the year for 2012. Since so much of the enjoyment from Starseed comes from figuring out how the game works, it’s hard to describe even the basic goals without spoiling it. If that sounds fun to you in and of itself, you should probably give it a go.
Like Hydorah before it, Locomalito’s Maldita Castilla stays very close to its inspirations, in this case the venerated platformer series Ghosts n’ Goblins. From the overall look to the invariable jump, you’ll feel very much like you’ve stepped into the greaves of Arthur’s Spanish cousin.
So how does it stack up to its forebears? I’ve played through the game once and I think that it’s a mixed bag, although one worth trying if you enjoyed the GnG games. Compared to the best of that series (Ghouls n’ Ghosts, Super Ghouls n’ Ghosts, and Ultimate Ghosts n’ Goblins), Maldita Castilla lacks variety and charm. The rather dreary mythological theme doesn’t quite compare to Capcom’s colorful fantasy world, and while many of the levels will have you cursing like you’re playing a Ghosts game, they’re also more one-dimensional.
None of this is to say that Maldita Castilla is a bad game, only that it sticks so closely to its source material and falls a bit short in comparison. As I said, it’s still worth your time… but perhaps more as a highly-polished fan game than something that stands alone. As reminiscent of Gradius as Hydorah was, it was still enough of a mélange as to feel unique (the branching stage design and limited save concept also helped separate it).
Here’s a new trailer of Joakim Sandberg’s Iconoclasts to whet your appetite. Although nowhere near finished, it does look as though the game is progressing nicely.
Droqen‘s first commercial game, Probability 0, is out now for five dollars. Also available is a bundle offering three other games, including an extended version of Fishbane and Starseed Pilgrim, which was first announced on the TIGForums nearly 2 years ago.
Probability 0 is a platformer roguelike where you have to descend an infinitely long dungeon, with your score measured in the depth you’ve reached. You do have an incentive to murder things, however, in order to gather the orbs enemies drop for new skills and more ammunition. You’ll have a lot of opportunities to experiment as you die over and over, in true roguelike fashion.
The game is pretty damn addicting if you get in to it; I’ve easily gotten more than my money’s worth out of the game, so if the game interest you it’s well worth trying the demo. And punching and headbutting everything.
Steam Greenlight: Probability 0