As a new-ish father, I can’t even imagine going through what Ryan and Amy Green and their family went through (and are still going through). That Dragon, Cancer is a point-and-click game about their 5-year-old son Joel’s four year battle with cancer. Joel died in March. Not a conventional adventure game by any means, the goal of TDC is to go follow the Greens through their experiences in a series of vignettes that appears to mix real world settings (like the hospital) with surreal places and imagery that are meant to evoke certain emotions. Although it’s a nightmare scenario for any parent, the Greens say that their game is ultimately about hope and imagination.
Originally designed as an Ouya exclusive, the game is now slated for a simultaneous release in 2014 on Ouya, Windows, and Mac.
Lucas Pope has released a very early development build of his latest project, Return of the Obra Dinn. While the website warns that there’s “not much content”, the build does a great job of conveying the game’s wonderful atmosphere and introducing a few of the key concepts behind the title. Obra Dinn is the name of the merchant ship on which your adventure takes place. Lost on route to the Orient in 1802, the ship has returned to port four years later, and you’ve been sent to investigate as an insurance adjustor for the East India Company’s London Office. Figuring out what happened aboard the Obra Dinn appears to be the central premise for the game, but how you accomplish that task is anything but ordinary.
Pope was the creator of the surprise hit Papers, Please, which made the seemingly mundane job of immigration inspector feel exciting and personal. It’s great to see him take that unique outlook into his next game, but with such wildly different themes, mechanics, and audiovisuals (which he describes in great detail in his fantastic TIGForums DevLog). Can’t wait for more.
LISA was successfully funded on Kickstarter on December 14, 2013.
Steam Greenlight: LISA
Very cool 80′s aesthetic going on in Drift Stage, a “modern evolution of the classic arcade racer”. Planned features include a roster of cars inspired by 80′s and early 90′s designs, local and online multiplayer, and a host of single-player modes, including circuit races, time trials, and a character-oriented career mode. No release date set, but the team is targeting PC/Mac with mobile and console possibly to follow.
This is a video that mashes up quite a few trailers for doujin games that will be available at this year’s Comiket (Comic Market), a Japanese self-published comic book festival (and the largest in the world, with over half a million attendees last year). Edelweiss, the doujin shmup developer behind Ether Vapor and Astebreed, has been putting these videos together for the past few years. The festival is taking place this weekend on August 15-17.
Links to each of the games featured in the video are available here on Edelweiss’s website.
Tale of Tales is Kickstarting their latest project, Sunset. The premise is a cool one:
The Kickstarter description likens the game to Gone Home, which I personally enjoyed. Hopefully it’s another step in the right direction for this genre.
New gameplay footage of the procedurally-generated open world game No Man’s Sky, which is coming to PlayStation 4 as well as PC (EDIT: PC is actually unconfirmed). From the creators of Joe Danger.
In a turn-based reality, an alternate spacetime of real-time has been discovered. Unfortunately, the conflicting spacetimes have ripped apart the cosmos in a “real-time/turn-based time-vortex.” That is the setup for Funktronic Labs’ upcoming game, Nova-111, where turn-based strategic planning meets real-time reactions and urgency. The player is placed at the helm of the titular Nova-111, a relatively harmless research vessel tasked with exploring cavern after cavern in an effort to rescue survivors stranded after the vortex smashed the two spacetimes together.
Along the way, players will discover powerful upgrades to their ship and encounter many different types of obstacles in the form of environmental dangers and monsters. Some of these monsters will attack in turn-based time, and some in real-time. These two time scales, along with the monsters’ differing attacks, fuse together to create an almost puzzle-like experience, and the player is quickly taught to approach enemy encounters more in dances of infighting and timing rather than simply engaging in direct combat.
Do you remember sitting in front of the TV on Saturday mornings with a big bowl of sugary cereal, watching the latest adventures of Proton Rider (Intern) Ace Ferrara as he fought off the Dino Menace? Wait – what? That was never a real Saturday-morning cartoon? Developer Philipp Seifried sure could have fooled me with his announcement trailer for the upcoming Ace Ferrara And The Dino Menace.
Described as “a space combat simulation game featuring mystery, romance, cat-augmentation, electronic brains, the Dino Wars, a scientific genius, his niece and her dog Ranger and a heartfelt appreciation for 80s sci-fi cartoons,” Ace Ferrara And The Dino Menace places players in the role of the titular Ace Ferrara, who has managed to gain an internship working with his heroes – the elite Proton Riders. Inspired by classic space-dogfighting games like the Wing Commander series, the game will offer a campaign of objective-based missions, with the story progressing through briefings and downtime interactions on board the Proton Riders’ flagship, Discordia. Philipp Seifried (the game’s sole developer in charge of “graphics, code, music, writing and cat-petting”) aims to launch the game on iOS devices this spring, with planned releases for Android, PC, and Mac following not too long after. You can keep up with the game’s development through its DevLog on TIGForums.
Hit the jump for some early gameplay footage and screenshots of Ace Ferrara and The Dino Menace.
The teaser trailer above comes from Team Junkfish, announcing their next game, Monstrum. Previously known as Project: Maize, the game promises to be “Like Alien, but at sea.” Team Junkfish hopes to “[focus] on the oft forgotten ‘survival’ element of survival horror games,” by thrusting players into the dark corridors of an abandoned cargo ship, cut-off and alone – except for the presence of a deadly beast that stalks their every move. Players will have to avoid the monster as they search the ship for a possible way to escape, ” using their wits and guile to evade the monster hunting them, running, hiding and luring it away with distractions to avoid getting killed.” Offering permadeath and a procedurally-generated ship that changes each playthrough, Monstrum will also support the Oculus Rift for added
immersion pucker factor.
Team Junkfish plans to show off some gameplay at this year’s GDC (Booth 1238) and EGX Rezzed in March, but curious players can follow the team’s postings on on the Team Junkfish website or the Monstrum Facebook page for more information as it surfaces.