Robit Studios and Chucklefish are collaborating on Treasure Adventure World: a commercial, HD remake of Treasure Adventure Game (a wonderful, freeware Metroidvania from 2011). Their press release shares some of the main changes to expect from the new version:
- New engine, smoother gameplay, HD widescreen mode
- High-res, hand-drawn art by Christine Crossley
- New music and sound by Robert Ellis
- More treasures and collectibles, remixed puzzles and new equipment
- Improvements to enemy AI, more intense boss fights
- More tightly-focused story, intriguing cutscenes, charming NPCs and new multiple endings
There is also some info in the Indie Statik post on TAW, which helps to expand upon the press release.
Additionally, those curious about experiencing the game’s earlier incarnations can download Karma as an exclusive bonus from the GOG.com release of TAG. The games in Karma aren’t as fully polished as TAG was, but they are great samples of how drastic development can be from one iteration to the next.
There’s no need to beat a dead horse but it should be mentioned – yeah, Diablo 3 was a pretty disappointing experience for me, too. It happens. However, just as the third Godfather movie didn’t mean the end of good gangster flicks, neither does the third Diablo game mean the end of good point-and-click action RPGs.
Path of Exile is one of the newer entries to the genre, and the one I’m most excited about. Unlike Torchlight, the theme and graphics are dark, gritty, and almost oppressive. And unlike Grim Dawn, PoE will be available to play later today, as an open beta. Unlike all the other Diablolikes, the game will always be free-to-play, with cosmetic microtransactions being the only source of the developer’s income from it.
The Main Competition finalists for the 2013 Independent Games Festival were announced earlier this month and the Student Competition winners were just announced today. New to the Main Competition this year is an Excellence in Narrative Award to honor “innovation, quality, and impressiveness of storytelling in a game, including, but not limited to, scenario, plot construction, story, dialogue, and other major factors”.
The award show will take place at GDC on March 27th, at the Game Developers Conference in San Francisco. In the meantime, TIGForums members are discussing the results in this thread.
The lists of nominees and Student winners are reprinted below:
Happy new year! The winner of the TIGSource Sports Competition was announced last month… a huge round of applause for (drumroll, please) Footbrawl Quest, the turn-based American football game made in the style of a dungeon crawler! It’s quite fun – go check it out.
The top 5 games from the competition are:
You can view the voting thread here. Congratulations to anyone who participated! This was a solid return to form and here’s looking to at least one other TIGS competition this year!
Like Hydorah before it, Locomalito’s Maldita Castilla stays very close to its inspirations, in this case the venerated platformer series Ghosts n’ Goblins. From the overall look to the invariable jump, you’ll feel very much like you’ve stepped into the greaves of Arthur’s Spanish cousin.
So how does it stack up to its forebears? I’ve played through the game once and I think that it’s a mixed bag, although one worth trying if you enjoyed the GnG games. Compared to the best of that series (Ghouls n’ Ghosts, Super Ghouls n’ Ghosts, and Ultimate Ghosts n’ Goblins), Maldita Castilla lacks variety and charm. The rather dreary mythological theme doesn’t quite compare to Capcom’s colorful fantasy world, and while many of the levels will have you cursing like you’re playing a Ghosts game, they’re also more one-dimensional.
None of this is to say that Maldita Castilla is a bad game, only that it sticks so closely to its source material and falls a bit short in comparison. As I said, it’s still worth your time… but perhaps more as a highly-polished fan game than something that stands alone. As reminiscent of Gradius as Hydorah was, it was still enough of a mélange as to feel unique (the branching stage design and limited save concept also helped separate it).
Voting has begun on the TIGSource Sports Competition, which has 44 final submissions! You can find a list of entries here, as well as a link to the voting page (forum registration required). Voting will last two weeks.
I’m guessing most of you learned what dysentery was at a young age, and I’d also bet that your teacher wasn’t the reason why. MECC found a way to incorporate real history and fun gameplay into a groundbreaking educational game to teach players not just what happened, but what it was like to be there. What The Oregon Trail did for the Oregon Trail, Sortasoft’s Meriwether aims to do for the Lewis and Clark Expedition.
In 1804, President Thomas Jefferson commissioned Meriwether Lewis and William Clark to travel across the United States to the West Coast. They were to catalog and study the plants, animals, natural resources, and geography along the way. They were also charged with establishing trade and U.S. sovereignty over the Native Americans along the Missouri River. Helping them in these endeavors was a small group of volunteers known as the Corps of Discovery.
Gameplay in Meriwether consists of two types of levels. In Lewis levels, the player will be navigating handcrafted levels focused on storytelling and dealing with situations that faced the actual expedition. In the travel mode, players will control the entirety of Meriwether’s Corps of Discovery through procedural wilderness as you gather resources, discover wildlife and ration whiskey. In both modes, Sortasoft seems committed to delivering a historically plausible account of the expedition. They have even gone so far as to have a Lewis and Clark historian involved in the project. However, Meriwether isn’t meant to be just a fun experience for history buffs, but for anyone looking for an entertaining survival/exploration game.
I actually had a chance to play this game about a year ago and found it extremely involving, even at such an early state. From the looks of their Kickstarter page, the game has improved by leaps and bounds since then. Check it out for tons more information on the project and the expedition itself. Who knows, you might even learn something!
Teleglitch is a top-down shooter set in a gloomy military research facility. The game reminds me of Doom in terms of theme and pacing, but has more of a survival horror bent to it, with scarce ammunition and high-damaging, fast-moving monsters. In a lot of ways, it feels like what I wanted Doom 3 to be – a mostly action-based game with less gimmicky horror elements.
Given the game’s tiny graphics, it’s impressive how detailed it looks. Overall, the aesthetics are great, with line-of-sight and sound design playing a huge part in setting a creepy atmosphere. I also like how much punch the guns pack – even a simple pistol distorts the screen and sounds explosive. This is particularly effective given the scarcity of ammo and gun-toting enemies (at least in the early stages). When I encountered my first shotgun enemy it was an exciting battle that ended with me backed pitifully into the corner of a small room – surprising, given how many similar enemies I’ve mowed down in other games!
Teleglitch also features a unique scavenging/crafting system that lets you combine items to make new ones. A nailgun, for example, can be created from a basic pistol if combined with some other items. This can be upgraded to a tri-nailgun with more materials. Armor is also crafted in a similar manner (out of the tin cans left behind when you eat food). It’s a cool idea that makes exploring more fun and gives the player options as they try to overcome the game’s high difficulty.
The influences on Teleglitch are multivarious (it’s also billed as a “roguelike”) but come together as a coherent and enjoyable experience. I haven’t gotten far enough to comment on whether it holds up throughout all ten of its levels, but so far I’m having a great time trying and dying. Action, horror, and roguelike fans should check it out – the full game is $13, but there is a four-level demo available.
When Twinbeard Studios’ Frog Fractions was released in October, I played it for only a few minutes before dismissing it as a cute parody—a humorous dig at the multitude of terrible edutainment games. Luckily, I was recently persuaded to check it out again and was rewarded with an extremely unique and surprising experience. I don’t want to say too much about the game for fear of spoiling it, but I will say this: It’s worth finishing.
Frog Fractions is free to play on the game’s site, so hop on over and try it out for yourself.