There’s no need to beat a dead horse but it should be mentioned – yeah, Diablo 3 was a pretty disappointing experience for me, too. It happens. However, just as the third Godfather movie didn’t mean the end of good gangster flicks, neither does the third Diablo game mean the end of good point-and-click action RPGs.
Path of Exile is one of the newer entries to the genre, and the one I’m most excited about. Unlike Torchlight, the theme and graphics are dark, gritty, and almost oppressive. And unlike Grim Dawn, PoE will be available to play later today, as an open beta. Unlike all the other Diablolikes, the game will always be free-to-play, with cosmetic microtransactions being the only source of the developer’s income from it.
Teleglitch is a top-down shooter set in a gloomy military research facility. The game reminds me of Doom in terms of theme and pacing, but has more of a survival horror bent to it, with scarce ammunition and high-damaging, fast-moving monsters. In a lot of ways, it feels like what I wanted Doom 3 to be – a mostly action-based game with less gimmicky horror elements.
Given the game’s tiny graphics, it’s impressive how detailed it looks. Overall, the aesthetics are great, with line-of-sight and sound design playing a huge part in setting a creepy atmosphere. I also like how much punch the guns pack – even a simple pistol distorts the screen and sounds explosive. This is particularly effective given the scarcity of ammo and gun-toting enemies (at least in the early stages). When I encountered my first shotgun enemy it was an exciting battle that ended with me backed pitifully into the corner of a small room – surprising, given how many similar enemies I’ve mowed down in other games!
Teleglitch also features a unique scavenging/crafting system that lets you combine items to make new ones. A nailgun, for example, can be created from a basic pistol if combined with some other items. This can be upgraded to a tri-nailgun with more materials. Armor is also crafted in a similar manner (out of the tin cans left behind when you eat food). It’s a cool idea that makes exploring more fun and gives the player options as they try to overcome the game’s high difficulty.
The influences on Teleglitch are multivarious (it’s also billed as a “roguelike”) but come together as a coherent and enjoyable experience. I haven’t gotten far enough to comment on whether it holds up throughout all ten of its levels, but so far I’m having a great time trying and dying. Action, horror, and roguelike fans should check it out – the full game is $13, but there is a four-level demo available.
What’s in the Box? is a clever puzzler from Finlay Costello, aka “finc”. The goal of the game is to carry a red box out of each level using your snake-like arm, a task complicated by the fact that the box is stopped by the red X’s and your hand is stopped by blue ones. Winning involves timing as well as puzzle-solving, and you’ll have to play perfectly (zero errors) to find out what’s in the box.
It should be mentioned that this is the first video game finc has ever made, using Game Maker 8. Congratulations!
Hotline Miami is out now! The debut of Dennaton Games, composed of Jonatan Soderstrom (aka Cactus) and Dennis Wedin, Hotline Miami is a fast paced and violent overhead action game. It’s also pretty damn great, and very difficult. The game has a lot of atmosphere, sitting somewhere between Drive and Scarface, with constant 80’s inspired techno blaring over your murderous rampage.
The crux of the game is killing dozens upon dozens of gangsters, but you’re on even footing with them, dying in a single shot (or swing). Hotline Miami’s hyper aggressive nature and near instant retries create an addictive loop of shooting and getting shot until you finally hit everything just right, everybody dies but you, and then you feel pretty dang good about your ability to brutally murder virtual people. It’s extremely cathartic and that feeling of being a golden Floridian god of death drives the whole game.
While it’s easy to gush about how good the game is, the release is hindered somewhat by a large amount of bugs, though the majority of the crashes have already been patched out. It’s still frustrating to not have achievements unlocking in Steam or getting a mask that doesn’t seem to do anything. The game’s controller support was also removed in the first patch after release due to it causing some severe issues– hopefully its absence is only temporary.
Live action release trailer after the cut:
Read the rest of this entry »
Droqen‘s first commercial game, Probability 0, is out now for five dollars. Also available is a bundle offering three other games, including an extended version of Fishbane and Starseed Pilgrim, which was first announced on the TIGForums nearly 2 years ago.
Probability 0 is a platformer roguelike where you have to descend an infinitely long dungeon, with your score measured in the depth you’ve reached. You do have an incentive to murder things, however, in order to gather the orbs enemies drop for new skills and more ammunition. You’ll have a lot of opportunities to experiment as you die over and over, in true roguelike fashion.
The game is pretty damn addicting if you get in to it; I’ve easily gotten more than my money’s worth out of the game, so if the game interest you it’s well worth trying the demo. And punching and headbutting everything.
Steam Greenlight: Probability 0
I’ll be honest, part of me was expecting that we’d all be brains in jars before Cortex Command reached 1.0. But no! After almost a dozen years in development, Dan Tabar’s opus has hit that milestone and is now available on Steam. Players who have already purchased the game, either directly or through a Humble Indie Bundle can get a Steam key here. A Linux build is still in development, according to Dan’s announcement post.
The release marks the completion of the game’s campaign mode or “meta game”, which allows players and CPUs to engage in large-scale warfare, building bunkers and attacking one another across the face of a planet. To find out more about this new mode, check out Dan’s latest playtest video below. And if you’re new to Cortex Command, this is also a good way to see the game’s impressive physics and AI in action.
Congratulations to Dan and the rest of the team on the release!
Continuing the fine TIGSource tradition of posting old news… I’d like to mention that FTL came out earlier this month. The real-time spaceship simulation and “roguelikelike” was released just five months after its successful Kickstarter and is available on Steam, GOG.com, and directly from the developers.
Inspired by Star Trek, Battlestar Galactica, and other sci-fi television shows, FTL puts you in control of a spaceship and its crew. The bulk of the game consists of flying from planet to planet and battling with enemy ships in real-time. Just like a proper spaceship captain, you’ll have to micromanage the battle and assign crew to tasks such as repairing damage, manning ship systems, or engaging in phaser shoot-outs with aliens that have beamed aboard. Winning these deadly duels garners you scrap (FTL’s currency) and other rewards, like fuel or weaponry.
I’ve only played a couple rounds so far, but there’s a lot of potential here for a great coffee break game!
After four months of hard work the Legend of Grimrock team has released a level editor beta for their first-person dungeon crawl. Due to Steam’s rapid updating capabilities, the editor is currently only available for players who own the Steam version of the Grimrock. To try it out, right-click on “Legend of Grimrock” in your Steam library and select properties. Then click on the “Betas” tab and opt-in to begin downloading the editor.
Almost Human says that it will be available for all distribution platforms after the beta is over.
Developed by a group of students at Rensselaer Polytechnic Institute during their Spring semester, Zineth is a non-linear action game that mostly lets you skate around, but also gives you the option to fiddle around with fetch quests, races, Twitter, and a strange Pokémon-esque minigame that’s accessible through the player’s mobile device. The main draw, however, is the skating, and it feels fast and fun. It’s complemented by a cool aesthetic and an expansive world that offers plenty of opportunities to grind, glide, and wall jump across huge distances.
Dean Dodrill’s beautiful brawler Dust: An Elysian Tail was released this week on Xbox Live Arcade. In development for four years, Dust was the winner of the 2009 Dream.Build.Play competition. Impressively, Dean (a professional animator) is responsible for almost all of the animation and programming for the game. The soundtrack was created by Hyperduck SoundWorks, who also did the OST for Iji.