Bare Mettle Entertainment has released the first public footage of Sui Generis since its Kickstarter began a year ago. This video was announced to backers with the following message:
The physics-based combat (which looks a little more stable now) has rightly drawn a lot of attention, but Bare Mettle has promised a lot of things for Sui Generis: a detailed and highly-interactive open world, non-linear storytelling, and deep customization. Time will tell whether the game lives up to those ambitions, but even if the team quit now, at least we’d still have the best “medieval tripping on furniture” simulation out there. In all seriousness, though, good luck to them – I’m really looking forward to this one.
Michael “brog” Brough’s 868-HACK is a hacking-themed roguelike on iOS that eschews exploration for focused, single-screen tactics. In the game, the player must traverse 8 levels, called “sectors”, filled with data – either points, which are used for scoring, or progs, which are used for defense against the enemies that are summoned to stop your intrusion. Enemies come in four types and move in simple patterns that are easy to exploit in small numbers but quickly become deadly in diverse mobs.
There’s a lot to like about 868-HACK, like the fun theme, the obvious risk/reward mechanisms, and the innovative zapping attack that hurts and stuns enemies. Figuring out how to use zapper and prog to clear out large groups of enemies is extremely satisfying. In many ways, 868-HACK distills the roguelike experience down to the parts where you’ve been dropped into a room full of monsters you’re not fully prepared for and each move is potentially life-threatening.
The free, Windows version that was made for 7DRL is called 86856527 and is still available for download, but the changes for iOS are well worth the $5 price tag, in my opinion. A port of 868-HACK to PC is also planned, but there’s no release date yet.
After nearly a year of open beta, Path of Exile has finally reached version 1.0. The release will conclude this chapter’s story and bring with it a slew of new features, including a prestige class, the Scion, which is unlockable by beating the game in Normal Difficulty. It’s also available on Steam for the first time.
Path of Exile’s itemization and passive skill tree impressed me when the open beta first began, and since then it seems like Grinding Gear Games has made good on their promise to continue making improvements and expanding their ambitious multiplayer modes. And it’s free-to-play still, so if you’re a fan of ARPGs, there’s no reason not to try it out – PoE is supported entirely by the purchase of cosmetic effects and account improvements (extra character slots and stash tabs).
Currently slated for a release in the spring of 2014, Clockwork Empires aims to provide players with a Dwarf Fortress-like experience with a Victorian-steampunk flavor. As citizens of “The Empire,” your colonists will each have unique personal histories, leading them to interact with one another, form social class structures, and work various jobs within the colony. Thrown into the mix for good measure will be elements of Lovecraftian cosmic horror as fishmen may attack from the sea or your citizens may become cultists under the spell of eldritch gods. Gaslamp Games plans to incorporate native support for “successive multiplayer” and save-game sharing, hopefully offering plenty of opportunities for Boatmurdered-like stories to emerge.
Night in the Woods is an upcoming game from Alec Holowka (Aquaria, Towerfall) and animator Scott Benson. From the Kickstarter page:
Lovely audiovisuals and I’m intrigued by the story and characters. Really looking forward to this one!
PuzzleScript is a simple, open-source game engine by Stephen “increpare” Lavelle that allows you to easily create turn-based puzzle games using a unique scripting language. The engine is HTML5-based and games can be built and shared (along with their source code) straight from your browser. The graphics, which are composed of 5×5 tiles, are also designed within the editor, in the same manner that levels are defined.
There are already quite a few clever games in the burgeoning PuzzleScript gallery, showing off the flexibility of the engine, as well as its ease-of-use – although some of the developers are seasoned indies (like Terry Cavanagh, Joseph White, and Stephen himself), quite a few of them are from first-time creators (like Jonah Ostroff, who made Heroes of Sokoban, shown above).
The 0.22 update for Kerbal Space Program is scheduled to launch tomorrow, and will bring with it a new research-and-development system.
This update will be the first version to allow players access to the structured “Campaign” mode, which attempts to provide more structured gameplay than the current “Sandbox” mode. Players will now be able to collect scientific data on their various missions, which can then be used to progress along a branched tech tree and unlock new, more advanced parts. The game’s development studio, Squad, has plans to add even more of a “tycoon-like” structure to the game in future updates, with a part-cost system and procedurally-generated missions.
Revenge of the Sunfish was a delightful find in 2008. Equal parts horror and humor, it’s a bizarre, genre-blending game that reminds me vaguely of both WarioWare and the cult classic PS1 title LSD. Five years later, JinxTengu is following up Sunfish with a sequel that looks much more ambitious but lacking none of the crude charm and aggressiveness that made the original so enjoyable to play.
According to this interview with JinxTengu, the game is slated for an October release on PC, with iPhone and Android to follow. A $5 price tag is probable.
[This is a guest post by Offal.]
From the early arcade to the Dreamcast era, Sega had a stable of first and second-party developers regularly producing vibrant genre-defining games, inventing and reinventing convention. Today that experimental spirit has largely died off, or been dialed down into tame sequels and re-releases of classic titles.
Amateur developers like the Arcane Kids have stepped in to fill the gap, and now Simon Stalenhag and Tommy Salomonsson (collectively Pixeltruss) have released Ripple Dot Zero, their own game in the free-spirited high flying blue skies style.
Ripple Dot Zero is free to play in browser.
We spoke with Pixeltruss to discuss the history, release, and future of the project. It’s a long one! Interview past the break.
Read the rest of this entry »
Set on the border of the fictional communist country of Arstotzka, Papers, Please puts you in the shoes of an Arstotzkan immigration inspector, approving and denying entry to a long line of hapless travelers each day. This entails shuffling documents around with your mouse and highlighting discrepancies in them, such as mismatched passport information or photo identification. With each passing day, your time limit remains more or less set, but the number of possible discrepancies you need to be aware of increases, ramping up the challenge.
This is a lot more exciting than it sounds, since your entire family is counting on your paycheck and a good day on the job will barely allow you to cover the necessities of living. Even when you’re 99% sure that someone has the right papers, it’s always a tense moment as they walk out the door and you listen for the familiar click-clack of a costly citation paper being printed out. But what elevates Papers, Please above a game jam novelty (far above) is that there’s a lot more going on than what takes place in your cramped inspector’s booth – politics, violence, moral ambiguities, and even humor pass through along with the people, and as you keep playing you start to realize how much power you have in your little role. It’s not long before your decisions begin to extend beyond your family’s sustenance (although that remains paramount).
It’s a bizarre premise for a video game, but it works very well, thanks to some great design on the part of creator Lucas Pope. The myriad details and keen audiovisuals bring the small booth of the immigration inspector to life, and from behind the dull counter top I felt more like a spy than in most of the spy-themed action titles I’ve played. Glory to Arstotzka(?)!