As someone who’s both a fan of marine exploration and co-operative gameplay, I have been having a blast playing Deli Interactive’s first commercial title, We Need to go Deeper.
Imagine Lovers in a Dangerous Spacetime, only set in the crushing, inner space of our dark oceans. Billed as “a multi-player submarine rogue-like set in a Verne-inspired underwater universe,” We Need to go Deeper places you and up to 3 other players in command of a submarine and charges you to work together to plumb the depths in search of riches and glory.
It’s not a simple matter of pointing and clicking however, as the various roles in the submarine – taking the helm, firing torpedoes, balancing power, patching leaks, and repelling tentacles – can’t be done all at once by a single player. That’s where your fellow crew members come in, each taking up a station in a frantic attempt at teamwork. As Deli Interactive explains, “We Need to go Deeper was created under the mindset of having friends scream at each other.” As your crew makes its way to the bottom, they will come across various caves scattered along the seafloor. Once a cave has been found, the action moves outside the submarine as the players don diving suits and explore the caves in search of gold and other rewards. All the while, both in the submarine and on foot, dangerous creatures of all sizes and shapes swarm and attack.
Though it has only recently entered Early Access on Steam, We Need to go Deeper already offers a wonderful submarine odyssey that you can share with your friends. A lobby system even allows for you to join with strangers, and the developer has set up a Discord server specifically for sole players looking for a crew.
It’s become a joke to talk about Cave Story and Dark Souls when describing other games, but in the case of Momodora: Reverie Under the Moonlight, I’d be remiss not to: the series has never been shy about its influences. In Reverie, the fourth game of the Momodora series, rdein has done a fantastic job joining the simple charm and tidy aesthetic of Daisuke Amaya’s little masterpiece with the methodical combat mechanics and level design of From Software’s Souls games. The result is something of a “perfect” Metroidvania, which feels neither meandering nor linear, frustrating nor dull. And it’s easy to see why rdein considers this to be his best-looking and most polished game yet: out of all the many beautiful animations and effects in the game, there’s not a single pixel that seems out of place.
In this bustling age of indie game development, it can be refreshing to see a title that shows restraint in its design without being minimalist or abstract. You’ll love Reverie if you enjoyed any of its influences. At this year’s Summer Games Done Quick (going on right now), it produced one of the marathon’s most heartfelt and inspiring runs:
Winter is here, and with it the next release of Tarn Adams’ Dwarf Fortress has arrived.
Dwarf Fortress 0.42.01 continues to build upon the “living world” features added in last year’s major release, allowing players even more interaction with the larger world outside their fort (or lone adventurer). Troupes, mercenaries, refugees, scholars, and more will now visit your fort. Social interaction will also play a larger role so inns, taverns, and temples have been introduced as social areas. Libraries have also been added for more bookish individuals, collecting the various written works and technological advancements of the world.
To aid in the new mingling scene, the inhabitants of your world will now compose poetry, music, and dance forms. While these are currently only described in text, the Dwarf Fortress community has already begun to provide some fantastic real-world interpretations from those descriptions (Listen:The Superior Rampart; Listen:The Grasping Oaks). Of course, these features are also available in the game’s Adventure Mode. Rather than running a fort, players can instead lead a performing troupe on a world tour!
For a more complete changelog, and to download the latest version of Dwarf Fortress, head on over to Bay 12 Games.
From funky-fresh indie studio Funktronic Labs‘ comes sci-fi adventure/puzzler Nova-111. Bringing together a mix of turn-based movement and attacks with both turn-based and real-time threats, Nova-111 manages to evoke memories of the classic Chip’s Challenge.
Players control the Nova, a scientific vessel that has been flung into a strange dimension of mixed time, and are charged with guiding the ship and 111
collectible rescuable scientists back to safety. Along the way, upgrades can be found for the Nova that give the player more ways to move about the environment and manipulate time. Puzzles present themselves not only in navigating the terrain, but in the crafty and effective dispatchment of enemies. Combine this with the vibrant art and groovy music from Funktronic Labs, and progressing through Nova-111 can quickly approach a dance-like experience of timing and positioning. With global leaderboards for both “least turns” and “least time,” it surely won’t be long before some amazing speedruns appear.
Serpentes is a fantastic take on the classic Snake game where you eat fruit to extend your length and have to avoid running into walls or yourself. Created by Benjamin Soulé, the developer behind those great Pico-8 carts, Serpentes adds a clever twist to the formula: fruits are given a number of random properties each time you play that are unlocked by collecting them. As you can see in the above screenshot, half the screen is taken up by a grid that displays the properties of each fruit. Collecting a fruit once will unlock the fruit’s score, followed by the length the fruit adds to your snake, followed by a negative effect, followed by a positive one. Finally, if you collect enough of one fruit to make it to the final, fifth column, you can unlock some powerful, permanent effects like a tail that shoots lasers, as well as a few tricky mini-games that can boost your score astronomically.
It captures the spirit of the original Snake perfectly by making the player the architect of his or her own demise, and then dials it up to eleven. Once you’ve reached the fifth column, collecting fruits adds some serious chaos to the play area, and a good short-term memory and reflexes are required to keep it manageable without running down the timer. You’ll constantly want to glance over to the right to figure out which fruit to collect, but that distraction can mean life or death as the game progresses.
The only thing marring Serpentes as it currently stands is an occasional crash bug that involves the laser not being able to find its target (possibly because it was killed by something else). It kinda sucks because when you have the laser, it means you’re doing pretty well. Thankfully, the timer is short and you can try a free demo to see if it ruins your play experience. The demo is like the full game except that you can only select one snake power on the title screen instead of two. Hopefully, this bug will be fixed sometime in the near future.
UPDATE: The bug has been fixed in version 1.1, which you can download from the same link!
It’s a bird! It’s a snake! It’s Snakebird, a challenging new puzzle game from Noumenon Games, the creators of Nimbus! (Would you believe that I get paid absolutely nothing to write amazing lead-ins like that?) Your goal in each level is to get one or more colorful snakebirds to the exit using their unique anatomy, which lets them twist, turn, and balance on a single segment of their long bodies. Collecting fruit will extend the birds by one segment, making it possible to reach new areas but also easier to get trapped. And you’ll get stuck or killed plenty of times in this unforgiving game – even levels that look relatively contained can be confounding, with plenty of pitfalls, spikes, and small spaces to contend with. Being pretty bad at puzzlers, I can barely make it out of the first area myself, but at least that means there’s plenty of time for me to appreciate the lovely landscapes and wonderful little details.
Thankfully, Noumenon has included an undo feature to make the trial-and-error style nature of Snakebird less frustrating. Personally, I would have loved to see a mouse shortcut for undo given how often you use it, but it’s a small gripe for what seems to be an attractive and unique experience for fans of hard-won puzzle games.
Version 1.0 of Kerbal Space Program, the premier game from independent Mexican studio Squad, has achieved liftoff.
Kerbal Space Program has been under development now for over four years, and this final update before leaving Early Access brings with it some of the most requested features yet. The aerodynamics model has been completely overhauled, making atmospheric flight more realistic – and more challenging, with the addition of re-entry heat. Additionally, interplanetary prospecting and off-world mining have also been added, allowing players to establish mining colonies to gather and process the mysterious “ore” into fuel. And the kerbals that will be stationed on those colonies will no longer all be unisexual: Female kerbals have arrived. Finally, in addition to a collection of new and polished spaceship parts, Squad has also gone through and added interiors to every manned part, allowing players to take a more immersive look through the eyes of their brave kerbal explorers.
Whether you are a veteran kerbonaut, or you’ve never played the game, right now is a fantastic time to check out Kerbal Space Program. Even as version 1.0 leaves the launch pad, Squad is busy planning future updates, with more features, more learning, and more exploration.
It’s easy to be wary of high-concept indie titles based around some quirky concept like time travel, gravity, teleportation, guns that shoot science instead of bullets, etc. When they work, of course, they work marvelously, like Portal, Braid, Antichamber, The Swapper, Fez, or any of the best puzzle platformers. But there’s no denying that there is a glut of gimmicky imitators in the genre, and more often than not the concepts, no matter how interesting they sound on paper, are stretched thin across never-ending tutorial levels. So despite Capybara’s strong record it was with some trepidation that I embarked on Super Time Force Ultra, the updated PC version of their time-traveling run n’ gun Super Time Force (which won Microsoft’s first-ever IGF “XBLA Award” for a publishing deal on Xbox 360 and Xbox One).
Thankfully, STFU shrugs off the stereotypes quickly and easily, and while the game is certainly unique and innovative, it has the frantic pacing of a good run n’ gun that is not found in most puzzle platformers. On top of that, there is an element of light tactics that strangely enough reminds me of Sega’s 1988 cult classic arcade game Gain Ground. It’s a mad idea that I would not have been brave enough to work on, but I’m happy that Capy was.
After more than two years since the last update, a new version of Dwarf Fortress has been released by developer Tarn Adams. As always, the game is entirely free, despite it being Tarn’s full-time occupation – he is supported by the generous donations of players.
One of the largest and most notable features of this new update is that the in-game world will no longer be static after its initial generation, but will continue to change and evolve on its own in the background. This will include events ranging from civilization-scale events like foundings and conquests, to more individual actions such as births and deaths of historical figures. Additionally, forts that the player has “retired” will continue to operate within the world, rather than simply becoming abandoned, allowing for the player to visit them in Adventurer Mode and interact with the citizens.
Other notable changes with this update will include multi-tile trees, new site designs for several races, and overhauls of various systems including combat, conversation, movement, and AI. A more extensive changelog can be found here.
Image: Forgotten Beast, by Torgeir Fjereide
In what is hopefully part of a continuing trend, Crimzon Clover has been released on Steam as Crimzon Clover WORLD IGNITION, giving PC players around the globe easy access to one of the best doujin bullet hell shoot ’em ups. Originally released in 2011 at Comiket 79, the game was largely created by one person: Yotsubane, also known as the Cave superplayer Clover-TAC. From there, its popularity led to an enhanced edition on Taito’s NESiCAxLive, a digital download platform for Japanese arcades, followed by this recent port to Steam.
In Crimzon Clover you have two main attacks, a rapid-fire shot that fires straight ahead and a lock-on shot that creates a quickly-expanding circle around your ship, targeting every enemy it touches for a powerful homing laser attack. On top of that, there is a third button, called the Break Button, which does different things depending on the status of the Break Gauge. Destroying enemies fills up the gauge and if it’s filled above a certain threshold, hitting the button fires a bomb that clears bullets. If the gauge is completely full, however, you enter a “Break Mode” where your firepower and scoring ability are increased dramatically for a limited amount of time. During Break Mode it’s also possible to enter a “Double Break Mode” that ups everything (including enemy ferocity) even further, turning the screen into a page from a Magic Eye book.
Fans of Japanese shoot ’em ups already know about Crimzon Clover and this port, but it’s also a great introductory shmup that is polished and offers a lot of modern conveniences like tutorials and novice modes to help new players get accustomed to the brutal level of difficulty. Plus, the relatively simple, memorization-free scoring system and sheer destructive firepower at hand should be enjoyable for veterans and newcomers alike. If I have one complaint, it’s that the graphics veer toward the garish and it is often hard to find your ship’s tiny yellow hitbox amidst the sludge of bullets, stars, and machinery. But it could be argued that this eye-bleeding quality is part of the game’s appeal. In any case, at $10 on Steam, it’s never been easier to play this previously obscure jewel of the genre.